雅思閱讀話題：人文科學(xué) 2023年9月28日雅思閱讀考試真題及答案 雅思閱讀三篇文章做題順序怎樣合適?很多朋友對(duì)這方面很關(guān)心，好教育整理了相關(guān)文章，供大家參考，一起來(lái)看一下吧！

本文目錄一覽：

• 1、雅思閱讀話題：人文科學(xué)
• 2、2023年9月28日雅思閱讀考試真題及答案
• 3、雅思閱讀三篇文章做題順序怎樣合適?

雅思閱讀話題：人文科學(xué)

很多烤鴨們備考雅思閱讀的時(shí)候發(fā)現(xiàn)即使自己背了很多詞匯，閱讀方法也掌握了不少，但正確率仍舊不是很高，而且速度不夠快。通過(guò)實(shí)際教學(xué)經(jīng)驗(yàn)發(fā)現(xiàn)，這其中的一個(gè)主要原因在于烤鴨們對(duì)于雅思閱讀考察的話題不熟悉。為了解決烤鴨們的這個(gè)難題，專家對(duì)雅思閱讀的話題進(jìn)行了歸類總結(jié)，讓烤鴨們?cè)诳紙?chǎng)上找到一種“他鄉(xiāng)遇故人”的感覺(jué)，同時(shí)也給出了烤鴨們做閱讀的一些方法建議，讓烤鴨們?cè)诳紙?chǎng)上不只是“他鄉(xiāng)遇故人”更要“知故人”。 經(jīng)過(guò)對(duì)歷年的雅思閱讀考試的分析，閱讀話題主要有兩大類，分別是自然科學(xué)類和人文社科類。上文中我們已經(jīng)探討過(guò)自然科學(xué)類的話題，本文將重點(diǎn)對(duì)人文科學(xué)類話題的文章進(jìn)行分析。雅思閱讀人文科學(xué)類的話題主要分為三大塊：教育類，語(yǔ)言學(xué)類，發(fā)展史。同時(shí)還會(huì)涉及到企業(yè)管理和心理類。 1. 教育類 首先，教育類的話題一直是雅思考試閱讀部分的熱門話題。在2011年的考試中，主要涉及到了兒童的性格，歐洲女子教育，兒童心理教育，兒童情感發(fā)展，教育方法的研究，噪音對(duì)兒童的影響，兒童文學(xué)，家長(zhǎng)參與教育，天才教育，學(xué)習(xí)歷史的意義。在2012年上半年的考試來(lái)看，教育類涉及到了學(xué)術(shù)道德，閱讀方法的探討，年輕人當(dāng)父母，澳大利亞文盲。從去年及今年上半年的教育類話題分析，兒童教育及家庭教育是教育類話題的中心。在劍橋雅思真題集中這類型話題的分布也很廣泛，比如劍橋5 Test3 passage1 “Early Childhood Education”, 這篇文章主要是關(guān)于兒童教育的，講解了兩個(gè)項(xiàng)目'Headstart' programme和'Missouri' programme; 劍橋6 Test4 passage2 “Do Literate Women Make Better Mothers?”, 這篇文章討論了高學(xué)歷女性是否可以是更好的媽媽，有關(guān)兒童的家長(zhǎng)問(wèn)題。劍橋8 Test4 Passage1 'Land of the Rising Sum' 探討了日本的數(shù)學(xué)教育。 因此，各位烤鴨應(yīng)多關(guān)注一下這類型的文章，如果沒(méi)有時(shí)間進(jìn)行課外泛讀，也可以對(duì)劍橋雅思真題集4-8的教育類文章先進(jìn)行限時(shí)訓(xùn)練，做完對(duì)了答案將錯(cuò)誤修改之后，建議烤鴨們?cè)谶@時(shí)千萬(wàn)別以為這篇文章就已經(jīng)做完了，一定要再對(duì)整篇文章進(jìn)行泛讀，每段的大意應(yīng)該知道，并最好用中文標(biāo)在每段后面，然后把每段主題句中的關(guān)鍵詞標(biāo)出來(lái)，如果有不認(rèn)識(shí)的最好摘下來(lái)。這樣到了考場(chǎng)上才能真正體會(huì)到“他鄉(xiāng)知故人”，否則，只是遇到了但不夠熟悉，做題時(shí)仍然會(huì)比較困難。 2. 語(yǔ)言類 雅思閱讀人文科學(xué)類的第二大話題就是語(yǔ)言類。從2011年全年來(lái)看，主要涉及到語(yǔ)言的傳播，筆譯，國(guó)際公司的外語(yǔ)策略培訓(xùn)，語(yǔ)言對(duì)商業(yè)的作用，語(yǔ)言的起源，語(yǔ)言的消失，對(duì)語(yǔ)言發(fā)展的態(tài)度。在 2012年上半年來(lái)看，語(yǔ)言類話題主要有交流與文化，語(yǔ)義的理解，雙語(yǔ)學(xué)習(xí)的利弊。從去年到今年上半年，語(yǔ)言類話題主要涉及到了語(yǔ)言對(duì)商業(yè)，文化等的影響，語(yǔ)言的保護(hù)以及語(yǔ)言與教育的結(jié)合。這類型話題在劍橋雅思真題集中也有廣泛分布，比如：劍橋4 Test2 Passage1 Lost for Words, 這篇文章主要講解了少數(shù)語(yǔ)言的消亡，探討了語(yǔ)言消亡的原因以及相應(yīng)的解決辦法。除此之外，劍橋4 Test3 Passage3 Obtaining Linguistic Data也是關(guān)于語(yǔ)言的，這篇文章相對(duì)比較專業(yè)化，講述了獲取語(yǔ)料的方法并討論了這些方法的利弊，但即使這樣做這篇文章時(shí)也不需要理解那些專業(yè)化的詞匯。劍橋5 Test2 Passage3 The Birth of Scientific English, 這篇文章結(jié)合了語(yǔ)言與發(fā)展史，講述了科學(xué)英語(yǔ)的誕生及發(fā)展?？绝唫?cè)谟龅竭@類型的話題時(shí)，很多都會(huì)覺(jué)得相當(dāng)困難，除非有些烤鴨們的專業(yè)就是語(yǔ)言學(xué)專業(yè)。因?yàn)檎Z(yǔ)言學(xué)本身就包括了很多分支比如語(yǔ)音學(xué)，詞匯學(xué)，句法學(xué)等等。每一個(gè)分支都會(huì)有很多相關(guān)的專業(yè)術(shù)語(yǔ)，烤鴨們尤其是還在讀高中的小烤鴨們會(huì)覺(jué)得異常難懂，但是要記住一點(diǎn)：雅思考試的一大特色就是“非專業(yè)性”。也就是說(shuō)，雖然考試中會(huì)考到很多有關(guān)語(yǔ)言學(xué)的內(nèi)容，但是大多是關(guān)于語(yǔ)言傳播方式，如何保護(hù)語(yǔ)言等等比較簡(jiǎn)單易懂的方面，并不會(huì)出現(xiàn)太專業(yè)性的內(nèi)容。即使有專業(yè)詞匯出現(xiàn)，也應(yīng)該感到高興，因?yàn)樗鼈儾粫?huì)涉及同意轉(zhuǎn)換。 3. 發(fā)展史 第三類的話題就是有關(guān)各種事物的發(fā)展史。2011年的雅思閱讀考試中主要涉及到了歐洲印刷術(shù)，古人記事，茶的歷史與發(fā)展，加拿大移民史，英國(guó)戰(zhàn)后農(nóng)業(yè)政策，澳大利亞羊毛產(chǎn)業(yè)，非洲部落發(fā)展等。2012年上半年的雅思閱讀考試中主要有管理學(xué)之父彼得德魯克，遠(yuǎn)古電腦，奧運(yùn)火炬演變發(fā)展，劇院，超市模式的誕生，地圖的發(fā)展?fàn)顩r，英國(guó)人的農(nóng)業(yè)發(fā)明-犁地機(jī)，小提琴*，庫(kù)克發(fā)現(xiàn)新大陸。這類型話題在劍橋雅思真題集中也有體現(xiàn)，比如：劍橋5 Test1 Passage1 'Johnson's Dictionary', 這篇文章講述了約翰字典的發(fā)展歷史，相對(duì)來(lái)說(shuō)比較容易理解，而且題目也比較容易做。Test2 Passage1 The Birth of Modern Plastics, 這篇文章論述了現(xiàn)代塑料的發(fā)展歷程，并講解了*過(guò)程。專業(yè)術(shù)語(yǔ)較多，但沒(méi)有同意轉(zhuǎn)換，因此這些專業(yè)術(shù)語(yǔ)不會(huì)影響做題。劍橋7 Test1 Passage2 'Making Every Drop Count', 這篇文章涉及到了人類用水的情況。劍橋8 Test1 Passage1 A Chronicle of Time Keeping, 這篇文章是很典型的發(fā)展史類的閱讀文章，講述了計(jì)時(shí)器的發(fā)展歷史，講述的是有史以來(lái)不同國(guó)家發(fā)明的鐘表和計(jì)時(shí)器，也可當(dāng)作鐘表或計(jì)時(shí)器的發(fā)展史來(lái)準(zhǔn)備這個(gè)話題。這類話題是各位烤鴨們必需關(guān)注的話題，原因很簡(jiǎn)單，所有的東西都有歷史、有來(lái)由，而且這也是近期考試的一個(gè)主要話題?？忌豢赡軠?zhǔn)備所有的發(fā)展史，但是備考過(guò)程中完全放棄又很可惜，所以在所有的發(fā)展史中，那些曾經(jīng)考過(guò)的發(fā)展史考生一定要列為重點(diǎn)準(zhǔn)備的內(nèi)容。比如說(shuō)“Co*etic Painting”講述了化妝品發(fā)展的歷史，從野人時(shí)代到現(xiàn)代，但是講述現(xiàn)代化妝的比較少，主要是對(duì)比古代。“人類貨幣的進(jìn)化史”，提到了巴比倫貨幣，中國(guó)貨幣，日本貨幣，非洲貨幣等等，以及劍橋雅思真題集上給出的文章一定要做到。

2023年9月28日雅思閱讀考試真題及答案

您好，我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢(mèng)想的路上，選擇合適的學(xué)校和專業(yè)，準(zhǔn)備相關(guān)考試，都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗(yàn)的留學(xué)顧問(wèn)，我在此為您提供全方位的專業(yè)咨詢和指導(dǎo)。歡迎隨時(shí)提問(wèn)！ 昨天剛剛結(jié)束了最新一期的雅思考試，大家有沒(méi)有被難倒呢？接下來(lái)就跟著小鐘老師來(lái)看一看2023年9月28日雅思閱讀考試真題及答案。 Passage1： 希臘硬幣Greek coinage 參考答案： 1. 希臘coin早在3000年就出現(xiàn)了=F 2. T 3. Sparta地區(qū)侵略Athens并強(qiáng)制Athens用他們的貨幣=F 4. Great coins在整個(gè)歐洲流傳=F 5. Persian 入侵了Lydia并且使用人家的硬幣=T 6. 用硬幣上的頭像來(lái)獎(jiǎng)勵(lì)做出杰出貢獻(xiàn)的人=NG 7. mint 8. stamps 9. anvil 10. reserve dies 11. 希臘硬幣的重量至少=0.15g 12. 硬幣的圖案=the king的頭像 13. 希臘被波斯征服之前的花紋是lion and doil 14. coin 在雅典被稱為 owl Passage2： 悉尼交通標(biāo)識(shí)Street markers in Sydney Passage3： Musical Maladies 參考答案： A. Music and the brain are both endlessly fascinating subjects， and as a neuroscientist specializing in auditory learning and memory， I find them especially intriguing. So I had high expectations of Musicophilia， the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed. B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone.＂ He also stresses the importance of the simple art of observation＂ and the richness of the human context. He wants to combine observation and description with the latest in technology，” he says， and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks， who has been practicing neurology for 40 years， is torn between the old-fashioned path of observation and the new-fangled， high-tech approach： He knows that he needs to take heed of the latter， but his heart lies with the former. D. The book consists mainly of detailed descriptions of cases， most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I， Haunted by Music，＂ begins with the strange case of Tony Cicoria， a nonmusical， middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music， which he had never cared for in the past. He started to play the piano and then to compose music， which arose spontaneously in his mind in a torrent of notes. How could this happen？ Was I the cause psychological？ （He had had a near-death experience when the lightning struck him.） Or was it the direct result of a change in the auditory regions of his cerebral cortex？ Electro-encephalography （EEG） showed his brain waves to be normal in the mid-1990s， just after his trauma and subsequent conversion to music. There are now more sensitive tests， but Cicoria has declined to undergo them； he does not want to delve into the causes of his musicality. What a shame！ E. Part II， “A Range of Musicality，” covers a wider variety of topics，but unfortunately， some of the chapters offer little or nothing that is new. For example， chapter 13， which is five pages long， merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia， ” an inability to hear sounds as music， and “dysharmonia，”a highly specific impairment of the ability to hear harmony， with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts. F. To Sacks＇s credit， part III， ＂Memory， Movement and Music，＂ brings us into the underappreciated realm of music therapy. Chapter 16 explains how ＂melodic intonation therapy＂ is being used to help expressive aphasic patients （those unable to express their thoughts verbally following a stroke or other cerebral incident）>G. To readers who are unfamiliar with neuroscience and music behavior， Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories. H. It＇s true that the causes of music-brain oddities remain poorly understood. However， Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example， he might have noted that the many specific dissociations among components of music comprehension， such as loss of the ability to perceive harmony but not melody， indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions， this was a missed educational opportunity. I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications， which ＂damp down＂ the excitability of the brain in general； their effectiveness varies widely. J. Finally， in many of the cases described here the patient with music-brain symptoms is reported to have ＂normal＂ EEG results. Although Sacks recognizes the existence of new technologies， among them far more sensitive ways to *yze brain waves than the standard neurological EEG test， he does not call for their use. In fact， although he exhibits the greatest compassion for patients， he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book＇s preface， in which Sacks expresses fear that the simple art of observation may be lost＂ if we rely too much on new technologies. He does call for both approaches， though， and we can only hope that the neurological community will respond. 27-30：B C A A 31-36：YES NG NO NG YES NO 37-40：F B A D 希望以上的答復(fù)能對(duì)您的留學(xué)申請(qǐng)有所幫助。如果您有任何更詳細(xì)的問(wèn)題或需要進(jìn)一步的協(xié)助，我強(qiáng)烈推薦您訪問(wèn)我們的留學(xué)官方網(wǎng)站 ，在那里您可以找到更多專業(yè)的留學(xué)考試規(guī)劃和留學(xué)資料以及*的咨詢服務(wù)。祝您留學(xué)申請(qǐng)順利！

雅思閱讀三篇文章做題順序怎樣合適?

基于每個(gè)考生的專業(yè)背景知識(shí)不同，在拿到試卷后，建議大家首先快速瀏覽下每篇文章的題目，然后根據(jù)你自己的經(jīng)驗(yàn)，選擇一篇自己最容易把握最熟悉的文章。比如，劍橋12中test8中的第三篇題目是：UK companies need more effective boards of directors，這個(gè)涉及到金融和企業(yè)管理方面的話題，很多同學(xué)都覺(jué)得比較難，但是也有同學(xué)正好學(xué)金融專業(yè)，認(rèn)為相當(dāng)簡(jiǎn)單，對(duì)于這類同學(xué)，就可以直接從第三篇入手。因?yàn)槿恼轮g并沒(méi)有關(guān)聯(lián)性，也沒(méi)有固定的難易順序，所以用這種方式可以讓我們從最容易的部分入手，先確保有把握的題目的正確率。

以上就是好教育為大家?guī)?lái)的雅思閱讀話題：人文科學(xué) 2023年9月28日雅思閱讀考試真題及答案 雅思閱讀三篇文章做題順序怎樣合適?，希望能幫助到大家！