今天好教育好教育小編（HaojiaOyu.nEt）整理了2023年9月4日雅思閱讀考試真題與答案解析 誰有雅思9分達(dá)人閱讀3《The Bridge that Swayed>的答案，急用，謝謝 2023年9月28日雅思閱讀考試真題及答案相關(guān)信息，希望在這方面能夠更好的大家。

本文目錄一覽：

• 1、2023年9月4日雅思閱讀考試真題與答案解析
• 2、的答案，急用，謝謝">誰有雅思9分達(dá)人閱讀3《The Bridge that Swayed>的答案，急用，謝謝
• 3、2023年9月28日雅思閱讀考試真題及答案

的答案，急用，謝謝 2023年9月28日雅思閱讀考試真題及答案'/>

2023年9月4日雅思閱讀考試真題與答案解析

的答案，急用，謝謝 2023年9月28日雅思閱讀考試真題及答案'/> 您好，我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢想的路上，選擇合適的學(xué)校和專業(yè)，準(zhǔn)備相關(guān)考試，都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗(yàn)的留學(xué)顧問，我在此為您提供全方位的專業(yè)咨詢和指導(dǎo)。歡迎隨時(shí)提問！ 9月4日的雅思考試是換題季后第一場考試，對(duì)于這次的雅思考試，想必很多學(xué)生都想要看看它的真題吧。那么小鐘老師下面就來給大家講講2023年9月4日的雅思閱讀的考試真題與答案解析。 一、2023年9月4日雅思閱讀真題與答案 Passage 1 主題：關(guān)于偵探小說的各種作家 參考答案： Passage 2 主題：生物鐘 參考答案： 14.G 15.A 16.E 17.C 18.D 19. 待回憶 20. exposure 21.hormone 22.rhythm 23.gene 23-26 多選 待回憶 Passage 3 主題：商業(yè)培訓(xùn) 參考答案： 二、雅思閱讀步驟 1.快速閱讀：平時(shí)進(jìn)行大量的快速閱讀?？蛇x的閱讀材料有：TIME, NEWSWEEK, THE ECONOMIST, CHINADAILY, 21st CENTURY等。因?yàn)檠潘伎荚嚺c時(shí)代緊密相連，具有一定的時(shí)效性，所以報(bào)刊文章為泛讀的首選。閱讀報(bào)刊文章應(yīng)選擇一般性的題材，如科普，社會(huì)問題，學(xué)術(shù)觀點(diǎn)性的文章，而政治，軍事，尖端科技的文章可以略過。采取的閱讀方式為快速閱讀。 2.難句突破：在精讀和做雅思試題時(shí)，將復(fù)雜的難句摘抄出來，然后分析句子結(jié)構(gòu)，徹底消化難點(diǎn)。雖然雅思閱讀中不可能有原句重現(xiàn)，但是難句的結(jié)構(gòu)是基本不變的。 3.詞匯強(qiáng)記：詞匯量不夠，應(yīng)進(jìn)行詞匯突擊。雅思考試的詞匯量約為6000~8000詞。詞匯量小也是導(dǎo)致閱讀理解速度慢的重要因素。 4.模擬練習(xí)：接下來就要做雅思模擬試題，進(jìn)一步熟悉考試題型。熟練掌握閱讀題型。有兩點(diǎn)需要特別注意：首先，雅思閱讀的各種題型必須搞熟，尤其是主觀題如簡答、填空、概括等。其次，要看清題目，因?yàn)檠潘奸喿x的問法比較靈活，可以是對(duì)/錯(cuò)/未給出答案，所以先看清楚要你做什么，再下手不遲，切忌做“無用功”。 5、總結(jié)技巧：注意分析閱讀理解的套路，總結(jié)解題技巧。如果個(gè)人復(fù)習(xí)情況不佳，可以根據(jù)自己的實(shí)際情況選擇合適的輔導(dǎo)班。 三、雅思閱讀做題訣竅 1.Skimming and Scanning 雅思閱讀測試的一大特色是同義詞(synonyms)和釋義表達(dá)(paraphrasing)。因此，考生在做此類題目的過程中，要首先判斷哪個(gè)是關(guān)鍵詞(keywords)，以及它的同義詞，然后根據(jù)該詞迅速在文章中尋找，準(zhǔn)確定位(locatingtheexpectedinformation)，根據(jù)要求填空。 此外，雅思閱讀一般取材于報(bào)刊、雜志等，因此平時(shí)應(yīng)大量閱讀英文報(bào)刊，像《英國鏡報(bào)》、《衛(wèi)報(bào)》等，以了解英文報(bào)刊文章的表達(dá)習(xí)慣和常用表達(dá)式。 2.good reading habits 很多中國考生在平時(shí)訓(xùn)練閱讀時(shí)一遇到生詞就想查文曲星、字典之類的輔助工具?？荚囍?，由于雅思閱讀考試的取材都來自原版報(bào)刊雜志，文章中必然出現(xiàn)不少考生沒有見過或者很少碰到的生詞，尤其是學(xué)術(shù)類閱讀第三篇文章的詞匯量往往很大，這時(shí)良好的閱讀習(xí)慣就成了我們能否獲取理想成績的關(guān)鍵。 細(xì)心總結(jié)一下就可以發(fā)現(xiàn)，在很多情況下，形容詞和副詞是最難以記憶的，也就是我們最感生疏的，但是它們一般不太會(huì)影響我們的句子理解能力。 希望以上的答復(fù)能對(duì)您的留學(xué)申請(qǐng)有所幫助。如果您有任何更詳細(xì)的問題或需要進(jìn)一步的協(xié)助，我強(qiáng)烈推薦您訪問我們的留學(xué)官方網(wǎng)站 ，在那里您可以找到更多專業(yè)的留學(xué)考試規(guī)劃和留學(xué)資料以及*的咨詢服務(wù)。祝您留學(xué)申請(qǐng)順利！

誰有雅思9分達(dá)人閱讀3《The Bridge that Swayed>的答案，急用，謝謝

的答案，急用，謝謝 2023年9月28日雅思閱讀考試真題及答案'/> 參考答案：1．他去鄉(xiāng)下接爺爺進(jìn)城住時(shí)發(fā)現(xiàn)爺爺為“幫”他還房債而去工廠做工。 2.“我”瞞著爺爺借錢*了房子。爺爺瞞著“我”去工廠做工。 3.反襯出了爺爺?shù)纳屏肌⒋葠酆蜔o私。 4.示例：外貌描寫。如“他穿一件洗得發(fā)白的藍(lán)色工裝，因?yàn)槭?，衣服像大了一碼，風(fēng)很大，爺爺?shù)陌装l(fā)被吹得亂蓬蓬的?！笨坍嬃藸敔敼?jié)儉、辛勞的特點(diǎn)。 5.①從“我”的角度，圍繞孝順、懂事等展開，言之有理即可。②從爺爺?shù)慕嵌?，圍繞善良、無私、節(jié)儉、樸實(shí)、慈愛等展開，言之有理即可。（任選一角度）

2023年9月28日雅思閱讀考試真題及答案

的答案，急用，謝謝 2023年9月28日雅思閱讀考試真題及答案'/> 您好，我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢想的路上，選擇合適的學(xué)校和專業(yè)，準(zhǔn)備相關(guān)考試，都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗(yàn)的留學(xué)顧問，我在此為您提供全方位的專業(yè)咨詢和指導(dǎo)。歡迎隨時(shí)提問！ 昨天剛剛結(jié)束了最新一期的雅思考試，大家有沒有被難倒呢？接下來就跟著小鐘老師來看一看2023年9月28日雅思閱讀考試真題及答案。 Passage1： 希臘硬幣Greek coinage 參考答案： 1. 希臘coin早在3000年就出現(xiàn)了=F 2. T 3. Sparta地區(qū)侵略Athens并強(qiáng)制Athens用他們的貨幣=F 4. Great coins在整個(gè)歐洲流傳=F 5. Persian 入侵了Lydia并且使用人家的硬幣=T 6. 用硬幣上的頭像來獎(jiǎng)勵(lì)做出杰出貢獻(xiàn)的人=NG 7. mint 8. stamps 9. anvil 10. reserve dies 11. 希臘硬幣的重量至少=0.15g 12. 硬幣的圖案=the king的頭像 13. 希臘被波斯征服之前的花紋是lion and doil 14. coin 在雅典被稱為 owl Passage2： 悉尼交通標(biāo)識(shí)Street markers in Sydney Passage3： Musical Maladies 參考答案： A. Music and the brain are both endlessly fascinating subjects， and as a neuroscientist specializing in auditory learning and memory， I find them especially intriguing. So I had high expectations of Musicophilia， the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed. B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone.＂ He also stresses the importance of the simple art of observation＂ and the richness of the human context. He wants to combine observation and description with the latest in technology，” he says， and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks， who has been practicing neurology for 40 years， is torn between the old-fashioned path of observation and the new-fangled， high-tech approach： He knows that he needs to take heed of the latter， but his heart lies with the former. D. The book consists mainly of detailed descriptions of cases， most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I， Haunted by Music，＂ begins with the strange case of Tony Cicoria， a nonmusical， middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music， which he had never cared for in the past. He started to play the piano and then to compose music， which arose spontaneously in his mind in a torrent of notes. How could this happen？ Was I the cause psychological？ （He had had a near-death experience when the lightning struck him.） Or was it the direct result of a change in the auditory regions of his cerebral cortex？ Electro-encephalography （EEG） showed his brain waves to be normal in the mid-1990s， just after his trauma and subsequent conversion to music. There are now more sensitive tests， but Cicoria has declined to undergo them； he does not want to delve into the causes of his musicality. What a shame！ E. Part II， “A Range of Musicality，” covers a wider variety of topics，but unfortunately， some of the chapters offer little or nothing that is new. For example， chapter 13， which is five pages long， merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia， ” an inability to hear sounds as music， and “dysharmonia，”a highly specific impairment of the ability to hear harmony， with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts. F. To Sacks＇s credit， part III， ＂Memory， Movement and Music，＂ brings us into the underappreciated realm of music therapy. Chapter 16 explains how ＂melodic intonation therapy＂ is being used to help expressive aphasic patients （those unable to express their thoughts verbally following a stroke or other cerebral incident）>G. To readers who are unfamiliar with neuroscience and music behavior， Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories. H. It＇s true that the causes of music-brain oddities remain poorly understood. However， Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example， he might have noted that the many specific dissociations among components of music comprehension， such as loss of the ability to perceive harmony but not melody， indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions， this was a missed educational opportunity. I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications， which ＂damp down＂ the excitability of the brain in general； their effectiveness varies widely. J. Finally， in many of the cases described here the patient with music-brain symptoms is reported to have ＂normal＂ EEG results. Although Sacks recognizes the existence of new technologies， among them far more sensitive ways to *yze brain waves than the standard neurological EEG test， he does not call for their use. In fact， although he exhibits the greatest compassion for patients， he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book＇s preface， in which Sacks expresses fear that the simple art of observation may be lost＂ if we rely too much on new technologies. He does call for both approaches， though， and we can only hope that the neurological community will respond. 27-30：B C A A 31-36：YES NG NO NG YES NO 37-40：F B A D 希望以上的答復(fù)能對(duì)您的留學(xué)申請(qǐng)有所幫助。如果您有任何更詳細(xì)的問題或需要進(jìn)一步的協(xié)助，我強(qiáng)烈推薦您訪問我們的留學(xué)官方網(wǎng)站 ，在那里您可以找到更多專業(yè)的留學(xué)考試規(guī)劃和留學(xué)資料以及*的咨詢服務(wù)。祝您留學(xué)申請(qǐng)順利！

以上就是好教育好教育小編（HaojiaOyu.nEt）給大家?guī)淼?023年9月4日雅思閱讀考試真題與答案解析 誰有雅思9分達(dá)人閱讀3《The Bridge that Swayed>的答案，急用，謝謝 2023年9月28日雅思閱讀考試真題及答案全部內(nèi)容，希望對(duì)大家有所幫助！